Full Bibliography
Monograph
Mera, M. (2007) Mychael Danna’s The Ice Storm, Lanham, MD: Scarecrow Press
Edited Book
Mera, M. & Burnand, D. (2006) European Film Music. Aldershot: Ashgate.
Book Chapters
- Mera, M. (forthcoming) ‘Reinventing Question Time’ Derek Scott ed. The Ashgate Research Companion to Popular Musicology. Aldershot: Ashgate.
- Mera, M. (2008). ‘Scoring Moth: Beyond the Temp Track’ Cinemusic, David Cooper and Ian Sapiro eds. Cambridge: Cambridge Scholars Publishing, 33-50.
- Mera, M. (2005) ‘Reap Just What You Sow: Trainspotting’s Perfect Day’, in Steve Lannin, & Matthew Caley, eds., Pop Fiction - the Song in Cinema, Bristol: Intellect, 86-97.
- Mera, M. (in press) ‘Takemitsu’s Composed Space in Kurosawa’s Ran‘, in Robynn Stilwell & Peter Franklin, eds., Film Music Reader, Cambridge: Cambridge University Press.
- Mera, M. & Burnand, D. (2004) ‘Fast and Cheap? The Film Music of John Carpenter’, in Ian Conrich, ed., The Cinema of John Carpenter: The Technique of Terror, London & New York, Wallflower Press, 49-65.
Refereed Journal Articles
- Mera, M. (2002) ‘Is Funny Music Funny; Contexts and Case Studies of Film Music Humor’, Journal of Popular Music Studies, Vol. 14, No. 2, 91-113.
- Mera, M. (2001) ‘Representing the Baroque: The Portrayal of Historical Period in Film Music’, The Consort: Journal of the Dolmetsch Foundation, Vol. 57, 3-21.
- Mera, M. (1999) ‘Read my Lips: Re-evaluating subtitling and dubbing in Europe’, Links and Letters, No. 6, 73-85.
- Mera, M. (1998) ‘Towards a Better Soundscape’, Diegesis: Journal of the Association for Research in Popular Fictions, No. 3, 15-23.
Score Recording Production
- (2004) Piccadilly. British Film Institute, dir. E. A. Dupont, score by Neil Brand, DVD released 14th July.
Conference Proceedings
- Mera, M. (2002) ‘The Use of Popular Music in Danny Boyle’s Trainspotting‘ Proceedings of the 20th International Association for the Study of Popular Music Conference, Turku, Finland, 502-50.